Book

The Reclaiming Hope book

Published: 28. Oct 2025

The newly released book 𝗥𝗲𝗰𝗹𝗮𝗶𝗺𝗶𝗻𝗴 𝗛𝗼𝗽𝗲: 𝗡𝗮𝘃𝗶𝗴𝗮𝘁𝗲 (𝘂𝗻)𝗰𝗲𝗿𝘁𝗮𝗶𝗻𝘁𝘆, 𝗶𝗺𝗮𝗴𝗶𝗻𝗲 𝗯𝗲𝘁𝘁𝗲𝗿 𝗳𝘂𝘁𝘂𝗿𝗲𝘀 gathers the voices of authors, researchers, and practitioners who contributed to the 𝗥𝗲𝗰𝗹𝗮𝗶𝗺𝗶𝗻𝗴 𝗛𝗼𝗽𝗲 symposium. Edited by Ivica Mitrović and Dora Vanette and published by the Centre for Creativity (MAO Slovenija), the book explores how design and architecture can reclaim imagination, agency, and collective responsibility in shaping more just and hopeful futures.

 

Through essays and case studies, the book connects theory and practice, offering critical reflections and tangible examples—from speculative design and education to care infrastructures and participatory futures. Among the contributors are many of the symposium’s guests, whose insights can now also be read in the book: Ezio Manzini, Natalija Majsova, Dora Vanette, James Auger, Ákos Schneider, Silvio Lorusso, Time’s Up, Guillem Camprodon Pujol, Maja Sustarsic, Jimmy Loizeau, Lourdes Rodríguez Rodríguez, David Martens, Filippo Grassi, Lodovica Guarnieri, Lorenzo Barbasetti di Prun — alongside editors Ivica Mitrović and Dora Vanette.

 

The Reclaiming Hope book expands on the themes and discussions first explored during the Reclaiming Hope symposium — an event that highlighted the intersections of 𝗱𝗲𝘀𝗶𝗴𝗻, 𝗮𝗿𝗰𝗵𝗶𝘁𝗲𝗰𝘁𝘂𝗿𝗲, 𝗮𝗻𝗱 𝘀𝗼𝗰𝗶𝗮𝗹 𝗰𝗵𝗮𝗻𝗴𝗲, emphasizing the power of collaboration, proximity, and care — values that were also reflected in the contributions of the participating authors.

 

Now readers are invited to revisit these dialogues and discover the ideas, perspectives, and projects that continue to shape the conversation on how to 𝘯𝘢𝘷𝘪𝘨𝘢𝘵𝘦 𝘶𝘯𝘤𝘦𝘳𝘵𝘢𝘪𝘯𝘵𝘺 𝘢𝘯𝘥 𝘪𝘮𝘢𝘨𝘪𝘯𝘦 𝘣𝘦𝘵𝘵𝘦𝘳 𝘧𝘶𝘵𝘶𝘳𝘦𝘴 — 𝘵𝘰𝘨𝘦𝘵𝘩𝘦𝘳.

 

 

Order your book in the MAO shop.

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BIO27

BIO27 path of change: Can cultural production have a smaller impact on the environment?

Published: 4. Oct 2022

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Programme:

11.00 Introduction Nejc Avbelj, assistant director of MAO

Dragan Barbutovski, British Council Slovenia

Jane Withers, BIO27

 

11.10 What is the state of sustainable cultural production? ⁠

The first session will include a snapshot of international best practice in sustainable cultural production and learnings from BIO27.

Moderator: Sophie Thomas

With: ⁠Graciela Melitsko Thornton, Julie’s Bicycle, ⁠Jana Babšek & Alenka Černelič Krošelj, ICOM, Anja Radović, BIO27

 

11.45 The BIO27 Futuring Toolkit

Chaired by BIO27 mentor, designer and sustainability consultant, Sophie Thomas, production platform team Futuring launch their open-source toolkit which aims to empower cultural institutions and designers in reducing the impact of their work. A Q&A opens the floor to the audience to ask quick-fire questions about designers’ dilemmas in low-impact production.

With: Barbara Predan, Žan Kobal, Tamara Lasić Jurkovič (Futuring)

 

12.20 Designing Super Vernaculars A conversation with the BIO27 design teams discussing what they have learnt while designing Super Vernaculars and the challenges they had to overcome as well as the opportunities when taking a low-impact approach.

Moderator: Jane Withers

With: ⁠Sebastian White & Eva Kellenberger, design studio Kellenberger & White, Rok Žnidaršič, Medprostor, ⁠Aljaž Vesel & Gašper Uršič, design studio Studio Kruh + AA

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BIO27

The Forbidden Vernaculars Assembly: round table and discussion

Published: 4. Oct 2022

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Despite the ecological renaissance, which placed sustainability at the center of public ethics, it seems that today’s administrative frameworks in Slovenia still limit the spread of regenerative material cultures. The Krater collective, as one of the groups of the production platform BIO27, in cooperation with the studios Atelier LUMA and BC Architects, researched architecture from rammed earth and locally obtained building materials. Materials such as loam, wood or straw bales are imported and therefore too expensive for most, or their use in construction is illegal. Under current legislation, it seems that local ‘material’ landscapes are treated as forbidden vernaculars.

 

In response to the current environmental crisis, an interdisciplinary group of designers, architects, ecologists, permaculturists and journalists united in Krater poses an important question: Could the abandoned construction pit, which they revived as a collective, become a landscape forum where they would discuss the accessibility of locally obtained materials in Slovenia?

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BIO27

Žan Kobal, Tamara Lašič Jurković, Barbara Predan, Sophie Thomas: FUTURING: Sustainable Cultural Production

Published: 4. Oct 2022

Futuring’s utilising the BIO27 to interrogate its practices and future; to observe, source, and examine the existing sustainable practices in cultural production. Our findings are collected in an open-source toolkit. Moreover, we offer selected perspectives on sustainability (via audio guide, AR visualisations and infographics). The findings will enable cultural institutions, designers (and individuals) to reduce the environmental impact of their work.

 

Museums play a dual and indispensable role in society. They safeguard our future generations’ engagement in cultural heritage. At the same time, they are actors themselves, places that contribute to a socially, ecologically, and culturally conscious society by incorporating the future of our life worlds.

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Partner Network

Zavod BIG: Creative Barometer 2021

Published: 26. Nov 2021

The creative barometer represents a new way of measuring the creativity of the 19 Southeast European countries. It is based on the humanistic conception of creativity – he understands creativity as the mental ability of an individual to create something new and original that is recognized in the community as valuable regardless of economic potential

Creative Barometer was developed by Zavod Big in cooperation with the Center for Creativity, at the Museum of Architecture and Design.

This project is a part of a partnership network Platform Center for Creativity co-financed by European Union from European Regional Development Fund and by the Republic of Slovenia.

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Research

Big Institute: Creative Barometer 2020

Published: 17. Dec 2020

Creativity is the driving force behind the economy at both national and regional levels, and it makes sense for countries and their institutions to profit from the rich potential of their creative sectors. Due to the growing understanding of this fact, there has been a need to develop a tool to measure creativity: the creative barometer is a tool that measures creativity of a certain geographical area.

 

The creative barometer was developed by the Big Institute in cooperation with the Center for Creativity at the Museum of Architecture and Design.

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Creative Accelerator

Natalie Nixon

Published: 1. Jun 2020

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In the May edition of the Creative Accelerator, we were discussing the importance of finding your voice as creative in company and thus contributing to business success, and how to clearly translate one’s creativity into entrepreneurial value.

 

At the lecture we:

  • defined creativity
  • looked into entrepreneurial value or to say the profitability of creativity
  • explored ways to successfully translate the value of creativity in companies

 

 

The lecture intended for all those participating in the CCS, was given by Natalie Nixon, Creativity Strategist and director of Figure 8 Thinking, company specialising in innovative thinking and design of business management. We encourage you to read an excerpt from her book The Creativity Leap, available on her website.

 

We prepared the lecture in cooperation with Tovarna podjemov and Podim DX 2020.

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Research

CzK in Barbara Predan: The cultural-creative imperative

Published: 21. May 2020

The extent and potential of the cultural and creative sector in Slovenia

We at the Centre for Creativity are well aware of the size, importance and quality of the field in which we are working. So we’ve prepared the most comprehensive statistical analysis of the cultural and creative sector (CCS) in Slovenia, in cooperation with the Institute for Economic Research (IER). Based on the evaluation and working together with Dr Barbara Predan, we’ve prepared a brochure – The Cultural Creative Imperative – which presents a comprehensive overview of key findings and an interpretation of their significance for the sector.

 

The brochure includes summaries, key findings and an interpretation of the results from the document Statistical Analysis of the Cultural and Creative Sector in Slovenia 2008–2017 by Nika Murovec, Damjan Kavaš and Tjaša Bartolj from the Institute for Economic Research (IER), commissioned by the Centre for Economic Research.

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